Tuesday 16 September 2014

sample WT1, based on mass media and gender


An artistic expression of sexual fantasy or a stylized depiction of grotesque gender violence: an interview with a social commentator about Dolce and Gabbana ad allegedly depicting a gang-rape

Q: what do you think about the modern advertising industry?
You see, With advertisement emerging as the most commonly employed persuasive method by various brands in the modern era of consumer culture, the efforts to create the most effective advertisements has also seen exponential growth. Usually through a visual medium such as video or photographs, these advertisements create a narrative that is aimed at not just informing the intended audience, but also to engage them as much as possible.
Q: how would you see an advertisement like this Dolce and Gabbana promotional photograph in this context?
I think this ad photograph is slightly ambiguous. A controversial Dolce and Gabbana advertisement depicting a female model pinned down by a male model (with four other male models watching) can be read as a visual narrative with the same aim but with an ambiguous message. While the apparently stylized narrative of gender violence can be seen as an engaging piece of artistic expression of sexual fantasy to serve some commercial interests; many viewers can also find this narrative a disturbing depiction that expresses a ‘male’ fantasy perpetuating the violent subjugation and exploitation of female body.

Q: you have been talking about this ambiguity in expression. Can you further elaborate?

In my opinion, the undefined realm of artistic expression also creates a great degree of ambiguity in terms of the appropriateness of the subject or the manner of its expression. This controversial ad can also be interpreted in the light of freedom of expression, even if it is expression a particularly disturbing sexual fantasy.  Dolce and Gabbana have a large female market and it would not make much sense to make an advertisement that depicts violence against women. However, considering the ‘engaging’ element of advertising, this shocking element of the narrative could serve that purpose.
Q: how would you place this ad in the context of gender issues?
Well, we already know that gender is a performative role created by the society and the relation between the opposite genders is also largely determined by the socially constructed set of norms. The normative gender behavior places males as the active and dominant sex and the females are expected to submit to the male desires. The idea of female body and its desirability are also constructed from the same perspective, which is also phrased as the male gaze. The pre-dominant expression of male gaze in the public sphere somewhat naturalizes the artificially created gender roles that perpetuate male dominance by presenting the desirability of a female strictly from male perspective. The scene depicted in this advertisement presents a visual narrative in which a female model is pinned down by a male, while four other male models pose as watchers. The presentation of female body is of special significance. Her half-outstretched arms and sideway turned face can be interpreted as a visual signifier of surrender. On the other hand, her closed legs and raised hips can be interpreted as desperate attempt to resist this male act of pinning her down.
Q: it seems a plain misogynistic piece of art. Where is the ambiguity there?
I understand your feeling, but you should also note that this narrative of resistance and surrender of a female before aggressive male desire has been presented as a sexual desire of not only the males but also the females. According to a research survey conducted by The Journal of Consumer Research, with a small group of 18 women, female audience respond to such ads as a form of art and engage in appreciating its artistic elements while also expressing a liking for the association between macabre and aesthetics. Some readers could appreciate the ad photo in question as an artistic expression of the female desire for rough or violent sexual experiences, which could be associated with male virility. From this perspective, this ad is a piece of artistic boldness that dares to express female desire in a very radically explicit form.
Q: so you mean that this ad is just expressing an often not expressed reality of desire?
No, that would be a hasty and superficial interpretation. As pointed earlier, the gender role defined in any male dominated society creates and disseminates knowledge that naturalizes the subordinated existence of the females. In the case of this advertisement photo, many viewers can interpret the visual symbols as a disturbing narrative of gang rape that is garbed in the high class Dolce and Gabbana fashion accessories. The apparent resistance but eventually overpowered posture of the female body forms a narrative of male dominance.
Q: what do you think could be the possible ramifications of ads like these?
Well,  the naturalization of this violent male sexuality and the passive surrender of the female body contribute to the perpetuation of discriminatory gender roles that place men as the active subjects and female as the passive objects. The act narrated through the photograph is not merely an expression of sexual fantasy but a male sexual fantasy that is predicated upon the denial of individual will or power to the female subjects as she eventually succumbs to male power. such ads also try to alienate the female subjects from the natural desire to resist or fight against this exploitative male power or dominance.
Q: does the brand association exacerbate the effect of such ads?
 Placing the brand’s name on the photograph at least glamourizes if not condones the brutal acts of rape. Within this particular framework of interpretation this advertisement disseminates and naturalizes the violent assertion of male power against the will of the female in a rather misogynistic taste of the dominant male section of the society. Consumerist society as the primary audience only increases the banality of this advertisement, raising repulsion and concern

(word count: 984)






Bibliography:










Appendix 1:
http://www.thinkfashion.com/photos/celebrities/images/110040/639x411.aspx



No comments:

Post a Comment